Keep track of important dates and appointments before it's too late with this amusingly existential wall calendar by the authors of the national bestseller All my friends are dead. and All my friends are still dead.
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誰該放手，讓擁有的人留住幸福的微笑？ 常常，我們無法一心一意，也無法要求對方一心一意。 常常，我們會迷失，不知道自己究竟喜歡的是誰。 常常，我們會心猿意馬，禁不了誘惑，捱不起考驗。 幾乎，我們無法規定真命天子在第一時間出現。 幾乎，我們也沒有辦法強制喜歡的人也得喜歡自己。 我們就因此停止追求幸福嗎？ You，re the apple of my eye. 我們永遠都在期待，某天深深喜歡的人，能對自己說出這句話。 「搭訕地獄百人斬」告白速成法、地下道中巧合的塔羅牌占卜， 預言兩個女孩的真命天子即將出現...... 誰該放手，讓擁有的人留住幸福的微笑？ 牽手或放手，幸福或祝福。 戰鬥吧，妖怪小雪！
Themes: Hi-Lo, adapted classics, low level classics, graphic novel. These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page softcover book retains key phrases and quotations from the original classics. Journey between London and Paris during that perilous time known as "The French Revolution." This is a story of two men that look alike- one in danger of being beheaded by the guillotine, and the other, a hero that sacrifices his own life for his friend. The French Revolution has been called "The Reign of Terror," and you will feel the terror in your own bones as you read!
Emerson the man & thinker will be fully revealed for the first time in this new edition of his journals & notebooks. The old image of the ideal 19th-century gentleman, created by editorial omissions of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank & often bitter criticisms of men & society, his "nihilizing," his anguish at the death of his first wife, his bleak struggles with depression & loneliness, his sardonic views of woman, his earthy humor, his ideas of the Negro, of religion, of God--these & other expressions of his private thought & feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style & the sources of his ideas. Cancelled passages are reproduced, misreadings are corrected & hitherto unpublished manuscripts are now printed. The text comes as close to a literal transcription as is feasible. A full apparatus of annotation, identification of quotations & textual notes is supplied. Reproduced in this volume are twelve facsimile manuscript pages, many with his marginal drawings. The first volume includes some of the "Wide Worlds," journals begun while Emerson was at Harvard, & four contemporary notebooks, mostly unpublished. In these storehouses of quotation, juvenile verse, themes & stories are the first versions of his "Valedictory Poem," Bowdoin Prize Essays & first published work. Together they give a faithful picture of his apprenticeship as an artist & reveal the extent of his hidden & frustrated ambition--to become a writer.
Ardy telah mengambil segala-galanya dari kehidupan kontemporer kita—terlebih-lebih dari budaya pop. Ia berutang budi kelewat banyak kepada media massa dan kehidupan banal masyarakat urban. —Zen Hae Disaksikannya dengan mata kepalanya sendiri perubahan itu. Sebuah titik hitam, lalu sebuah pusaran. Dan satu per satu semuanya terisap. —Sebuah Kehidupan, Sebuah Pencarian, dan Akhir yang Tak Menyenangkan Pada kemunculannya yang pertama nima langsung mendapat perhatian penghuni kota. Mereka yang masih dan atau sedang sendiri, terutama yang laki-laki, berduyun-duyun menggelontorkan uangnya demi sesosok nima. —Makan Malam Terakhir Subjek kami kini kembali menjadi seorang perempuan, dan ia melakukan sesuatu yang hampir sama dengan apa yang dilakukannya di kehidupannya yang ke-25.